Which town?

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During this same period, PC. had noiselessly kept bent on his work desk to complete the execution drawings, calculate all the quantities and plan out the stages of the construction. On site a first rudimentary infrastructure had to be set in place and materials had to be conveyed, stocked and stored – the iron rods (tor steel), the stones and sand and cement, the wood beams and plywood sheets, the indispensable tools and minimal equipment such as a concrete mixer – and the teams had to be initiated, all under PC.’s supervision. If, during the previous months R., whose creative thrust would rather have modeled the work in a substance more plastic and adaptable than in those rigid and demanding materials, had introduced numerous modifications and architectural or decorative propositions, it had now become necessary to put a term to it so as to fix the data of reference: the framework of the sphere, its concrete skeleton, must be coherent and durable. It would be from then on the task of the engineers, of the site manager and his teams of workers and any ulterior change would have to be considered with a particular attention on maintaining the structural integrity.

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And so, on Her birthday, the 21 st of February, 1972, one could begin to cast the foundations of the four pillars which would hold the sphere, the four aspects, the four powers of the Mother who would support and bear the plenitude of a truer world. But what is a material symbol without the Consciousness and the Force to inhabit it, to animate it and make it effectively creative?

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